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Writer | Director | Musician

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Written and Directed by Joy Nesbitt

Produced by Ois O'Donoghue

JULIUS CAESAR VARIETY SHOW is the worst audition you've ever had.

A Black actor, a woman actor, and a straight white male actor walk into a Shakespeare audition in a condemned theatre space. Amidst a riot outside the theatre, three auditionees attempt to impress an intensely respected director set on reinventing the play in "unorthodox" styles. As the audition unfolds, the actors' identities are called into the audition room and exploited for better performances.

August 6, 2026 - August 31, 2026
Time: 16:45 ( 60 mins )
Venue: Red Lecture Theatre
Genre: Theatre
Warnings: Contains distressing or potentially triggering themes, Scenes of Violence, Strong Language/Swearing

Supported by Culture Ireland and Dublin Fringe Lab

JULIUS CAESAR VARIETY SHOW

Summerhall Arts - Edinburgh Fringe Festival 

6—31 August 2026

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Written and Performed  by Martha Knight

Directed by Joy Nesbitt

Produced by Ois O'Donoghue

Who is the king of all birds? This tongue-in-cheek gig for voice and vocoder by award-winning sound artist Martha Knight is a love letter to the history of flight. Based on the phenomenon of aerial photos being displayed in Irish homes from the 1960s, the one-woman play expands this story to include explorations of ancient mythological birds, bringing us to the present, where airplanes and satellites rule the sky. Conjuring tales through traditional Irish music, using live electronics and effects to bring the ancient Irish tradition of song into the present day. ★★★★ (Irish Times).

August 6, 2026 - August 31, 2026
Time: 13:40 ( 60 mins )
Venue: Former Gent's Locker Room
Genre: Theatre
Warnings: None

Supported by Culture Ireland and Dublin Fringe Lab

The King of All Birds

Summerhall Arts - Edinburgh Fringe Festival 

6—31 August 2026

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'This belongs to me as much as it belongs to you.' 

Bullock Creek, South Carolina, 1862: Ginnie Good raises five children in a cabin as a war rages outside.  

Today: A woman rents the cabin on AirBnB to conjure her ancestors.  

 

Playwright Joy Nesbitt makes her Royal Court debut with this new play about complicated histories, belonging - and what we hear when we listen to the voices of the past, directed by Tatenda Shamiso (No I.D.). 

Supported by the Concord Theatricals Unpublished Playwrights Award.

Blood of my Blood

The Royal Court Theatre - London, UK

1 October - 7 November 2026

PRESS

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"In Joy Nesbitt's Dear Rosa, an anxious young Black woman (Tishé Fatunbi) addresses you as if she is speaking to an imagined Rosa Parks, apologising for not calling out the countless microaggressions she encounters, and deftly demonstrating the personal cost of shameful, enduring racism. "

⭐️⭐️⭐️⭐️⭐️

— Financial Times,

Between peep show and confessional: The quietly profound Theatre for One -- review

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